Wednesday, 08 February 2012
Gloria Petyarre PDF Print E-mail

Gloria Petyarre
Artist: Gloria Petyarre
Skin Name: Tamerre
Language: Anmatyerre
Region: Utopia
Dreaming: Angertla (Mountain Devil Lizard Dreaming) Engcarma (Bean) Bush Medicine Dreaming Awelye (Women's Ceremonies) Unyara (Emu) Annlara (Pencil Yam) Kadjeta (Grass Seeds) Elaitchurunga (Small Brown Grass)
Gloria Petyarre was born around 1945 and has spent her life in her native country, Anungara. For many years she lived and worked at Adelaide Bore.

In the 1970's Gloria Petyarre was a founding member of the Utopia Women's batik Group. In works of the 1980s, the viewer can detect the shapes of painted breasts, of ceremonial grounds, round bowls, sticks and animal tracks. Towards the end of the decade, a change occurred. Growing in confidence, Gloria Petyarre has toured with her work in recent years, to England, Scotland, Ireland, India, Thailand and the United States, always returning to her native ground and to the bush life she shares with her husband, fellow artist Ronnie Price Mpetyane. At the same timer her work has continued to mature. During the 1990s she has used colour to create original patterns- of grasses, of hills, and of the patterns on the body of the spiny mountain devil lizard that changes it’s colours, the creature at the centre of the dreaming of the Utopia peoples.

A further development came around 1995, with the first of the artist’s Leaves series. She paints them in the most vivid colours- true colours of the bush, but ones many casual observers fail to see- and in patterns which gives them movement as though blown by the wind. It was one of this series which won this years Wynne Prize at the Art Gallery of New South Wales- a rare achievement for an Aboriginal artist competing with the best of her contemporaries.

The National Gallery, the Queensland Art Gallery and galleries in the Northern Territory all have important works; the Holmes a Court Collection also has several, and overseas her work graces the Kansas City Zoo.
With wonderful confidence, she merged the traditional iconography of the Anmatyerre onto the new medium of silk.  A very innovative and dynamic artist, she exerted a great influence on others in the group. In the early 1980s, Gloria Tamerre Petyarre made her first painting on canvas (for CAAMA's Summer Project exhibition) and soon developed her unique style of depicting her stories and understanding of the traditional country.
In 1995/96, she received a Full Fellowship Grant from the Aboriginal and Torres Strait Islander Board of the Australia Council.
Collections:
•    National Gallery of Australia, Canberra
•    National Gallery of Victoria, Melbourne
•    Museum of Victoria, Melbourne
•    Art Gallery of South Australia, Adelaide
•    Art Gallery of Queensland, Brisbane
•    Art Gallery of N.S.W., Sydney
•    Flinders University, Adelaide
•    Griffith University Collection
•    Gold Coast City Art Gallery
•    Queensland University of Technology
•    Museums and Art Galleries of the Northern Territory, Darwin
•    Supreme Court, Brisbane
•    Powerhouse Museum, Sydney
•    Westpac Gallery, New York, U.S.A.
•    Wadsworth Athenaeum, Hartford, U.S.A.
•    Robert Holmes a Court Collection
•    Wollongong University Collection
•    Artbank, Sydney
•    Macquarie Bank
•    Singapore Art Museum
•    British Museum, London, U.K
Exhibitions:
•    1988, 1989, 1990, 1991, 1992, 1993, 1994, 1995, 1996, 1998, 1999, 2000, 2001, 2002 Utopia Art Sydney
•    1988 Bloomfield Gallery, Sydney
•    1998 Araluen Arts Centre, Alice Springs
•    1989 Austral Gallery, St Louis, U.S.A.
•    1989 Coventry Gallery, Sydney
•    1990 Tandanya, Adelaide
•    1990 "Utopia", exhibited in Ireland, U.K., India
•    1990 Orange Regional Gallery
•    1990 Third Eye Centre, Glasgow
•    1991, 1996 S.H. Ervin Gallery, Sydney
•    1991 Meat Market Gallery, Melbourne
•    1991, 1994, 1995, Art Gallery of N.S.W.
•    1991 Australia Galleries, New York, U.S.A.
•    1992, 1994, 1995, 1999 Gallery Gabrielle Pizzi, Melbourne
•    1992 Robert Homes a Court Collection, Bangkok, Thailand
•    1992 Gallery Rai,Tokyo, Japan
•    1992, 1994, 1996, 2000, 2002 Royal Exhibition Hall, Melbourne
•    1992 National Gallery of Australia, Canberra
•    1993 Myra Morgan Gallery, Kansas, U.S.A.
•    1993 Art Gallery of Queensland, Brisbane
•    1993 Austral Gallery, St Louis, U.S.A.
•    1993 Australian Embassy, Paris, France
•    1995 National Gallery of Australia - Canberra Museum of Art, Gifu, Japan
•    1995 National Gallery of Victoria, Melbourne
•    1995 Mitchell Galleries, State Library of N.S.W.
•    1995 Powerhouse Museum, Sydney
•    1996 Niagara Galleries, Melbourne
•    1996, 2000 Old Parliament House, Canberra
•    1996, 1999 Sherman Galleries, Sydney
•    1996 William Mora Galleries, Melbourne
•    1997 Sutton Gallery, Melbourne
•    1997 Australian Galleries, Sydney
•    1998 Annandale Galleries, Sydney
•    1999 Art Gallery of Western Australia
•    1999 Embassy of Australia, Washington, U.S.A.
•    1999 Fine Arts Museums of San Francisco, U.S.A.
•    2000 Fireworks Gallery, Brisbane
•    2000 Australian National University, Canberra
•    2001 Brisbane City Gallery
•    2001 Manawatu Gallery, New Zealand
•    2001 Kunst der Gegenwart, Vienna, Austria
•    2001 "Icons of Australian Aboriginal Art", Singapore
•    2002 Singapore Art Museum
•    2002 Light Square Gallery, Adelaide
•    2002, 2003 National Gallery of Victoria at Federation Square, Melbourne
•    2002, 2003 Chapel off Chapel, Melbourne
•    2003 Glen Eira City Gallery, Melbourne
Awards:
•    1999 Wynne Prize, Art Gallery of N.S.W.
•    1993 Tapestry for Victorian Tapestry Workshop, Melbourne, Vic
•    1993 Mural for Kansas City Zoo, U.S.A.
•    1994 Tapestry Commission for the Law Courts, Brisbane, Qld

 
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